Rachel (
theresnodoor) wrote2011-08-27 10:33 am
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When you fight for three years, you get used to the aspects of it. The secret keeping. The sudden pounding rush of adrenaline. The constant thrum of fear under your skin. The exhaustion. The rage. The helplessness and the power.
There are different kinds of 'get used to,' though.
There's the kind where, free of those constraints, you can relax. It never leaves entirely, but it ebbs. You don't miss it exactly but you recognize that you could go back to it in a heartbeat, if you needed to - and you tell yourself you don't want to.
There's another kind. Less readily admitted to.
The kind where you relax immediately. And slowly, surely, the thrum under your skin comes back. But the fear has a different flavor this time around, more restless than anything else.
The nice thing is, the solution is obvious.
The bad thing is, it's a solution you can't admit to.
Rachel does a lot of things to channel that thrum. Waking at dawn. Gymnastics routines. Runs around the lake. Training with the punching bag. Reading with Tobias. Talking, talking, talking to people. Morphing for fun.
But they're only channels, and none of them for much purpose.
There's only one thing that's given her true relaxation, release, since Milliways.
An afternoon walk in Milliways' forest and Rachel finds herself standing before a tall rock face, more than a hill but not quite a mountain. An opening several feet taller than she is - a rock cave.
Carved into the stone, a symbol she won't readily forget.
"...Daedalus."
There are different kinds of 'get used to,' though.
There's the kind where, free of those constraints, you can relax. It never leaves entirely, but it ebbs. You don't miss it exactly but you recognize that you could go back to it in a heartbeat, if you needed to - and you tell yourself you don't want to.
There's another kind. Less readily admitted to.
The kind where you relax immediately. And slowly, surely, the thrum under your skin comes back. But the fear has a different flavor this time around, more restless than anything else.
The nice thing is, the solution is obvious.
The bad thing is, it's a solution you can't admit to.
Rachel does a lot of things to channel that thrum. Waking at dawn. Gymnastics routines. Runs around the lake. Training with the punching bag. Reading with Tobias. Talking, talking, talking to people. Morphing for fun.
But they're only channels, and none of them for much purpose.
There's only one thing that's given her true relaxation, release, since Milliways.
An afternoon walk in Milliways' forest and Rachel finds herself standing before a tall rock face, more than a hill but not quite a mountain. An opening several feet taller than she is - a rock cave.
Carved into the stone, a symbol she won't readily forget.
"...Daedalus."
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At the exact moment of her shout, something brushes Mel's shoulder - and sticks to it.
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There's a squelchy, messy explosion, and she's left with half a red gelatinous thing still clamped onto her shoulder.
And another one latching on to her elbow.
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From her perspective, the damp atmosphere just became very sticky and heavy, gluing her into place without actually securing her to Mel.
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"Leeches. Or something. Suckers. Goddammit."
When another hits her face, she snarls.
"Alright, I'm getting out of here."
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And while she could just demorph and climb out herself...
Rachel would really love it if it was only Mel who gets covered in shit today.
<Easy way out?>
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"'Cause I'm still going with 'up.'"
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She eventually gives up and jumps out of the sewage. One foot hits the side wall and she bounces across to the wall across. As far as distance per effort, it's not the most efficient way, but at least it keeps her out of the sewage.
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This could make demorphing kind of awkward.
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"Goddamn things," Mel mutters, but she has found a metaphorical light at the end of this literal tunnel.
And by 'light' we mean a ladder and a round carved stone cover, and by 'end' we mean top.
Mel wastes no time in leaping to the top of that ladder and pushing her way out.
"And we're out of the crapchute."
This has to be good, right?
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The space Mel climbs up into is dim but not dark. The curved stone walls are completely visible, as are the candlesticks high into the air, near the fifteen-foot ceilings. In the center of the room that has no doors or windows, is a small wooden table with several items resting on it.
<Cool. Demorphing now. I'll try to push off.>
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Not that Mel's bitter about facing all the shit on her own.
She sits right down on the floor and starts digging at the suckers on her arms, legs and face. It would be an easier job if there wasn't a weird increasing weight on her shoulder.
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The weird growing weight doesn't get any less weird. Heavy, gangling... covered in goop.
At one point, the weight is enough that the goop falls with a wet splat.
And a thoughtspeak, <Ow.>
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"OK, that's disgusting."
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Luckily, Rachel's mouth is now more lips than proboscis and she'll have to stop communicating until her vocal chords form.
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"Hey, telling people not to look is like putting a beacon on saying 'Look here!' People are people."
And this one is turning away because she's trying to lever a slug monster off her leg.
"Ow. Jesu."
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Pulling one off her leg, she happens to rub - one might even say tickle one on her knee.
It lets go with a pop! and falls to the stones.
"I could tell you to keep watching, but that's like a dare, too," Rachel points out - but does Mel the favor of turning aside.
Today, her compound eyes have decided to stick around for the entire demorph. They are the last to change with a loud - very loud - and rapidfire popopoppopopoppopopop! of their own.
Rachel blinks a few times, shuts her eyes tight, and wrinkles her nose.
Fun.
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Slayer healing will set in in a few minutes, but for now, she looks like she's got some weird variant of the measles.
"You'll get used to the smell," she tells Rachel.
She did.
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Politely.
She turns to look at Mel, which means she's greeted to the sight of a slayer covered in octopus-looking tiny pink creatures that leave measles behind.
Curious, she reaches out to tug on one experimentally. She doesn't pull it off, since it seems to be opposed to it and Mel isn't complaining. "What the hell are these?"
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"Don't freak out, but one mighta tried to eat you."
Mel didn't know at the time!
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Not as shaky as she feels, looking at it, remembering being stuck in it. She's imagining the equivalent of a blueberry in a block of jello.
She rubs at another blob on Mel's shoulder, curious about the rubbery texture - and the little creature burbles happily and falls off, squishing on the ground.
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"...
"What did you just do? I've been pulling at these for ages."
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(Are jellyfish animals? Mel is pretty certain they're not plants.)
After further pondering of whether to remark Rachel's apparent magic touch with dolphin sucker things, Mel again decides against words and instead chooses to give it a go herself.
Rub aaaand plop. Another comes off.
She'll be doing that with the others, then.
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Rachel's a little hesitant to pick one up, seeing the marks left on Mel's skin, but she'll rub some of the others with a fingertip to get them to release.
squeegee-squeegee
One of the more weirdly entertaining moments in the labyrinth.
(Rachel has never been a jellyfish, but she could potentially be. If touching one ever seemed like a good idea.)
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