theresnodoor | (no subject)

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(no subject)

When you fight for three years, you get used to the aspects of it. The secret keeping. The sudden pounding rush of adrenaline. The constant thrum of fear under your skin. The exhaustion. The rage. The helplessness and the power.

There are different kinds of 'get used to,' though.

There's the kind where, free of those constraints, you can relax. It never leaves entirely, but it ebbs. You don't miss it exactly but you recognize that you could go back to it in a heartbeat, if you needed to - and you tell yourself you don't want to.

There's another kind. Less readily admitted to.

The kind where you relax immediately. And slowly, surely, the thrum under your skin comes back. But the fear has a different flavor this time around, more restless than anything else.

The nice thing is, the solution is obvious.

The bad thing is, it's a solution you can't admit to.

Rachel does a lot of things to channel that thrum. Waking at dawn. Gymnastics routines. Runs around the lake. Training with the punching bag. Reading with Tobias. Talking, talking, talking to people. Morphing for fun.

But they're only channels, and none of them for much purpose.

There's only one thing that's given her true relaxation, release, since Milliways.

An afternoon walk in Milliways' forest and Rachel finds herself standing before a tall rock face, more than a hill but not quite a mountain. An opening several feet taller than she is - a rock cave.

Carved into the stone, a symbol she won't readily forget.

"...Daedalus."

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<Yeah, um... I don't think I'm going anywhere.>

This could make demorphing kind of awkward.

They'll burn that bridge when they come to it.

"Goddamn things," Mel mutters, but she has found a metaphorical light at the end of this literal tunnel.

And by 'light' we mean a ladder and a round carved stone cover, and by 'end' we mean top.

Mel wastes no time in leaping to the top of that ladder and pushing her way out.

"And we're out of the crapchute."

This has to be good, right?

It's not worse. Not this time, anyway.

The space Mel climbs up into is dim but not dark. The curved stone walls are completely visible, as are the candlesticks high into the air, near the fifteen-foot ceilings. In the center of the room that has no doors or windows, is a small wooden table with several items resting on it.

<Cool. Demorphing now. I'll try to push off.>

"Whenever you're ready."

Not that Mel's bitter about facing all the shit on her own.

She sits right down on the floor and starts digging at the suckers on her arms, legs and face. It would be an easier job if there wasn't a weird increasing weight on her shoulder.

Hey, there was no danger. Shit is not dangerous, and there's no morph that can really take care of bacteria for her.

The weird growing weight doesn't get any less weird. Heavy, gangling... covered in goop.

At one point, the weight is enough that the goop falls with a wet splat.

And a thoughtspeak, <Ow.>

Mel was levering a sucker off her elbow when that happened, and she turns and stares at the thing growing out of the goop.

"OK, that's disgusting."

<I tell people not to look, I try to be nice, and every-single-time, what do they d->

Luckily, Rachel's mouth is now more lips than proboscis and she'll have to stop communicating until her vocal chords form.

Mel smirks.

"Hey, telling people not to look is like putting a beacon on saying 'Look here!' People are people."

And this one is turning away because she's trying to lever a slug monster off her leg.

"Ow. Jesu."

For every one she removes, what skin it doesn't take with it is covered in small sucker-freckles.

Pulling one off her leg, she happens to rub - one might even say tickle one on her knee.

It lets go with a pop! and falls to the stones.

"I could tell you to keep watching, but that's like a dare, too," Rachel points out - but does Mel the favor of turning aside.

Today, her compound eyes have decided to stick around for the entire demorph. They are the last to change with a loud - very loud - and rapidfire popopoppopopoppopopop! of their own.

Rachel blinks a few times, shuts her eyes tight, and wrinkles her nose.

Fun.

The one that popped off on its own has left a much smaller wound that the others. Mel stares at it, and pokes the rosette of sucker marks left behind.

Slayer healing will set in in a few minutes, but for now, she looks like she's got some weird variant of the measles.

"You'll get used to the smell," she tells Rachel.

She did.

"I was being polite and ignoring that part," Rachel points out.

Politely.

She turns to look at Mel, which means she's greeted to the sight of a slayer covered in octopus-looking tiny pink creatures that leave measles behind.

Curious, she reaches out to tug on one experimentally. She doesn't pull it off, since it seems to be opposed to it and Mel isn't complaining. "What the hell are these?"

"They hurt more than they look like," Mel offers. She pokes at another, trying to figure out if she can replicate whatever it was that made the last one drop off so easily, but looks up enough to nod at the pink sludge Rachel just crushed further as she grew human feet.

"Don't freak out, but one mighta tried to eat you."

Mel didn't know at the time!

Rachel follows her gaze and wrinkles her nose at the sludge. "Yeah, that happens," she says, going for nonchalant.

Not as shaky as she feels, looking at it, remembering being stuck in it. She's imagining the equivalent of a blueberry in a block of jello.

She rubs at another blob on Mel's shoulder, curious about the rubbery texture - and the little creature burbles happily and falls off, squishing on the ground.

Mel turns her head, and looks at the thing on the ground. Then up at Rachel.

"...

"What did you just do? I've been pulling at these for ages."

Rachel shrugs back, unphased by her apparent expertise in sucker-creatures. "I just rubbed it a little. Feels more like a dolphin than a jellyfish."

Mel glances at her, weighing the need to remark on the fact that she knows what dolphins and jellyfish feel like, against the fact that she can turn into at least two different types of animals so hey, maybe she can do dolphins and jellyfish too.

(Are jellyfish animals? Mel is pretty certain they're not plants.)

After further pondering of whether to remark Rachel's apparent magic touch with dolphin sucker things, Mel again decides against words and instead chooses to give it a go herself.

Rub aaaand plop. Another comes off.

She'll be doing that with the others, then.

Easier than tearing off her skin.

Rachel's a little hesitant to pick one up, seeing the marks left on Mel's skin, but she'll rub some of the others with a fingertip to get them to release.

squeegee-squeegee

One of the more weirdly entertaining moments in the labyrinth.

(Rachel has never been a jellyfish, but she could potentially be. If touching one ever seemed like a good idea.)

The last one comes off, and Mel holds it up to squint at it, then look down at the five red marks it left on her skin.

"I've got those all over, haven't I?"

Hooray for Slayer healing, though! The first few are already fading.

"Yup. Like freckle chicken pox."

She tilts her head, watching them fade, then frowns at the way Mel just picked one of the little things up like that. And if Mel's going to do it, that means Rachel can, too.

Pick it up and watch it wave its little tentacles.

"...I'd feel bad about squishing one if it hadn't been trying to eat me."

Mel shrugs.

"Not really got time to feel bad about squishing everything that tries to eat me."

Standing with the little monster waving its tentacles in her hand, she looks back to find the cover she came up through - and comes up blank.

"Hope they don't get all dried up outside of sewers, though."

"Assuming they're real at all."

It's the Labyrinth, multiple changing worlds with every door passed and no discernible pattern.

And Rachel struggles with how to define reality on her normal days.

Climbing to her feet, she looks around the little room, all round stone. A few feet away is a low wooden table, round with four rough legs. There are a few items on top, not immediately recognizable.

So.

She'll just wander over and see what they are.

"Start thinking like that and you'll start wondering it I'm real," Mel says. "And I'll hafta hit you to prove it and we'll get nowhere."

She's oh-so-cheerful with this. Abandoning pink sucker dude to his friends, she follows Rachel over to the table.

"I'm assuming you are," Rachel says, casual.

Not quiet, not to herself. But without something else to focus on, she may have.

Whether or not something is real doesn't matter nearly as much as the question Do I have to deal with it?

Over by the table, there is not much. A very tiny bottle and a very tiny cookie. There are tags on each of them.

"Oh."

Her voice is dark and wary.

"You have got to be kidding me."

"Oh hey," says Mel, "a classic lit reference that even I get."

She scoops the bottle up in her hand and shakes the liquid inside it by her ear, listening to it slosh. Then she grabs the cookie in her other hand.

Rachel just eyes her for a moment.

And then starts looking for a tiny door.

Because if there is a tiny way out of here, Mel is not allowed to eat the keys.

...not all of them.

"Wait wait, there it is," Rachel snaps, pointing to the small round door in the small round room near the small round table - with the small round knob. "Don't eat all of those or I won't be able t-"

"Oh."

"Duh."

"Yeah, go ahead, eat 'em."