theresnodoor: (17: Ruffled - postfight)
Rachel ([personal profile] theresnodoor) wrote2011-04-09 04:53 pm

OOM - The Labyrinth Part I

There is boredom. There is restlessness. There is anxiety. And there is recklessness. Stages of reactions following the common phrase of There's nothing to do. If left alone for too long, this condition can result in conversation, conflict, experimentation, explosions, discovery, and death.

Among others.

But sometimes, Fate steps in. Someone looks down and notices the ever-increasing stages and says, Hey. That looks kind of dull. Let me help you out there.

The common reaction to such politeness is gratitude.


Well into the stages of boredom, Rachel opens her eyes and finds herself not in her bedroom, her apartment, or even the Bar's couch. Instead of soft fabric, there are hard, rough stones beneath her back. Instead of open space, the walls are close and dingy and the ceiling is low. And when she sits up, sharp and sudden, she is staring out of an archway that leads into the darkest of dark hallways, despite the flickering torch on the wall.

Blue eyes dart in every direction and not a single one of them makes sense - including the other person, crumpled on the stones nearby.
tobeclosetohim: (Default)

[personal profile] tobeclosetohim 2011-04-13 03:10 am (UTC)(link)
It's a squeeze.


For a while its like the light never gets closer.



And at the frustrating point of that it suddenly ends.






It isn't outside. It's a cavern.

An insanely high cavern. With a forest.

And a water fall in far distance. All....picturesque.
tobeclosetohim: (Default)

[personal profile] tobeclosetohim 2011-04-13 03:31 am (UTC)(link)
Jo doesn't like this anymore than the cabinet.

Beauty hides horror just as well.



"No more castle walls."
tobeclosetohim: (Default)

[personal profile] tobeclosetohim 2011-04-13 03:37 am (UTC)(link)
It's generic enough.
Jo almost hates how spread it is.

The small hallways had so little space to scout.
This just kept rolling on in every direct before hand.
Breezes ruffling the trees. Water cascading. Birds somewhere.
tobeclosetohim: (Default)

[personal profile] tobeclosetohim 2011-04-13 03:49 am (UTC)(link)
"We might not be alone."

Random bags on the floor.
tobeclosetohim: (Default)

[personal profile] tobeclosetohim 2011-04-13 11:47 am (UTC)(link)
Jo frowned. There were no signs.


Of anything that would have sent someone running.
Not even footsteps, or disturbed ground, around them.

tobeclosetohim: (Default)

[personal profile] tobeclosetohim 2011-04-14 01:27 am (UTC)(link)





"Way to make the idyllic even creeper."
tobeclosetohim: (Default)

[personal profile] tobeclosetohim 2011-04-15 11:14 pm (UTC)(link)





"Keep the rifle shells at least."
tobeclosetohim: (Default)

[personal profile] tobeclosetohim 2011-04-16 02:08 pm (UTC)(link)
Jo caught the box and started reloading.

Having a box with the even more left in it was going to be annoying to carry. Maybe they should keep the the --




Apparently whole bag given the way Rachel's still looking at it.
tobeclosetohim: (Default)

[personal profile] tobeclosetohim 2011-04-16 10:09 pm (UTC)(link)
"Noted." Even if the food is still suspicious.
The same as all of this is. Will be.



"Onward and upward?"

Into that forest.
tobeclosetohim: (Default)

[personal profile] tobeclosetohim 2011-04-16 11:30 pm (UTC)(link)
It's strange. So completely calm.

The wind blowing through leaves.
The splash of water. The birds.
tobeclosetohim: (Default)

[personal profile] tobeclosetohim 2011-04-16 11:51 pm (UTC)(link)



"Maybe I was wrong." It's ironic.

A stiffly amused ironic.
tobeclosetohim: (Default)

[personal profile] tobeclosetohim 2011-04-16 11:57 pm (UTC)(link)
"At least the castle walls were predictable."


Honest. Unassuming. Bland. Blank. Nothing to hide.
tobeclosetohim: (Default)

[personal profile] tobeclosetohim 2011-04-17 12:24 am (UTC)(link)
Jo's noticed. And it gets a disgruntled sneer.
But it's an impatiently accepting one.



She'd rather have a bear than not, over not having a bag.

Rachel's looking off, so Jo follows her gaze. Listening.

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